A saga of disappointment, discrimination, targeting, othering, otherness… – A review of Pankhuri Sinha’s Anthology “Prison Talkies”
https://www.merakipatrika.com/2015/01/prison-talkies-review.html
A saga of disappointment, discrimination,
targeting, othering, otherness…
– A review of
Pankhuri Sinha’s Anthology “Prison Talkies” by Akanksha Singh
FOREWORD
My Green Card was in labor clearance stage, when I
dropped it for F1,
which was cancelled while I was in India. Have still not been able to seek legal advice on the
situation of being fired while
being out of the country, during Visa change, but its clearly problematic, if based on a
harassment report, filed by a professor
who was following the student, and filed the report upon being asked, how was he doing so?
Dr. Andreas Daum had been following me. I still
don’t know how.
A huge legal task lies in front of me. This is
what happened to me. This is my story. There were many stories in the prison. These
poems are about encountering them. They are also about encountering justice, injustice,
discrimination, crime, and the
systematic construction of both prison and borders. However, any character or event described
in the poetry is purely
fictional. Any resemblance is coincidental. However, this is not a book about wrongful
detention only. It does not
argue that prison is a place where just the poor, the weak, and the strong, opponents of regimes,
activists, human rights
workers are detained. This book strongly agrees with the fact, that crime is real, and so is
correction. However, the irony is that, many big criminals totally evade it.
They escape prison. As in, not run away, but never get to it. Nevertheless, the prison
abounds with criminals, murderers, rapists, people who have committed brutal torture. It
certainly is no longer a place,
where freedom fighters are spending days, asking for a free voice. But are there not such people?
Yes, there are. The prison is the most effective, coercive and deadly weapon in the hands
of the state. Prison can kill, it can maim our souls. But to make prison a more humane place, is
a very emphatic call of
modernity. It is also a call to reduce crime, criminality, without ignoring it, without causing it. It
is a call to make states
less totalitarian. To divest them of some powers, to decentralize power. In the age of
Immigration, and some very strange
wars, that is turning many people into refugees, and asylum seekers, it is a plea to not invest
powers in certain
citizens, that do not belong to them. That are not
theirs. The poems
are also an attempt to get over the stigma of prison. To cross over, into that other
side, to merge. What the poems
actually describe though, is the disappointment, the discrimination, the targeting, the
othering, the otherness.
REVIEW
Reading poetry is always pleasurable but when the poems in question are
as beautiful as Pankhuri Sinha’s, the joy multiplies. Pankhuri Sinha’s debut
poetry collection in English is very aptly titled ‘Prison talkies’ as it tells
the tale of a prison and its inmates. The poetess begins the collection with a
dedication worth mentioning which captures the essence of the entire book in a
few lines. She begins with the lines,
“To,
The girl who shared my cell on the
night I was detained
by Immigration, May 16th, 2007….”
This anthology is not just a random
collection of poems, it tells a story. A disjointed story, no doubt but a story
in poems of a girl, Suzannah who is bounded by the shackles of society and patriarchy, a
girl who suffers huge torment in the name of justice – her trials and
tribulations through the actual physical jail and also the metaphorical one
created by society and her attempts to survive despite all odds. As the poetess
says in the dedication,
“I remember asking her to hold my
hand,
And I remember what that human
touch had felt like,
After the handcuffs”
The vagaries of human emotions are
rampant in the poems and the survival of faint remains of humanity – like the
beckoning morning sun rays that herald the dawn of a new day.
The poems are not arranged in any
particular order or chronology but they tell the tale of a girl’s journey (the protagonist - Suzannah) from
her peaceful home to wrongful conviction and all that she faced in-between.
Every poem is like a piece of a jigsaw puzzle and the reader is forced to read
till the end so as to find the proper place of each piece and view the larger
picture.
While most poems like – “Of Prison
Darkness”, ”The Sergeants and the Female Ward “, “The Day Lucy Got a Bail”, ”The Crime
Equations in Prison” etc. are dedicated solely to the life and lifestyle of
prison inmates, the others talk about a variety of other topics.
The predominant theme in these is
the betrayal that the protagonist has suffered at the hands of all those she
trusted – her loved ones, the country and above all justice. The loneliness of
being in a foreign country surrounded by strangers, the helplessness of losing
all rights, the pain at the betrayal of people you trust, the unexpected warmth
found even in a prison cell, the pleasure that nature provides no matter where
you are – all these and many other hues are imbued in this eclectic collection
of poems.
“So what if you lived here
for years,
Your rights were taken away”
The law structure governing
immigrants is a recurring theme in Pankhuri Sinha’s poems. She brings out the
pathetic condition of immigrants in foreign countries where they are denied
even the most basic human rights. They are treated with the same callousness
shown towards criminals and thugs. They do not have a say in this new Global
World where their skills are appreciated but their rights are neglected.
“The thing called justice,
Seemed very far away in the prison,”
For those who have been
abandoned to the dark and lonely prison cells, the existence of the term
justice is also questionable.
“Of the immigrant infiltrating homes,
The immigrant of color,
Complaining instead,
Of control,
Of Surveillance and of a hijacking,”
The political leaders make tall
claims of no racism and equality for all but the truth is far from it. This is
depicted very clearly in Pankhuri’s poems where she tries to give voice to the
injustice suffered by immigrants.
The poetess talks of the protagonist's prison
days and how the sound of the rain or the song of a bird helped distract her
and made her forget the hunger pangs and other atrocities of the prison.
A major portion of the poems also
deals with the patriarchal system that we are following and how the protagonist was not only demeaned for being an immigrant but also for her crime of being a
woman. She has no rights as a woman but must be ruled by her husband. Various
references make it clear that she is another victim of society’s unfair
treatment of women. Love is just a mirage and underneath it you will find a
dominant jailkeeper waiting to bring the wayward wife back on track. In every
sphere – not just her domestic life but also her professional life, she finds
that males try to assert their authority.
“ALL REFERENCES MADE
TO HEATHCLIFF
In reading,
Writing,
Speaking,
Are wanted back,
For I have been doing all explanations,
All chores.”
“And the declaration of my lover,
My now husband,
As boss,
And the reason of all happenings,
In my life”
The protagonist finds herself disillusioned with all the lies that have been told to her over and over again.
Her dreams have been lost – shattered by the injustice that she – as a woman and as an immigrant suffers and she is
fighting to stay alive – to carry on.
“Exhausted dreams,
Finished moments,
Unmaterialized plans,
Of years robbed,
Of lies told,
Of ongoing misdirections.”
“The morning gone,
All mornings gone.
Still,
There remains a promise.
A promise made years and years ago”
You cannot help but sympathize with the protagonist as she recounts the tale of how she had built a safe haven, only to
have it smashed in a heartbeat.
“The music that was,
It had taken so long to build it,
Years together,
Of building things”
“Hearing it loud and clear,
Its over,
Your chance to conceive,
As the rain pours outside,
In the beautiful garden,
And over the cross of the church,
A sight most tranquil,
The church building seen from the kitchen sink,
As tranquil as an unknown prayer.
As healing as prayers chanted in incomprehensible words.”
The pain of a mother, a woman
and a human being all are very poignantly described in the poems of Pankhuri
Sinha. My favourite poem talks about how a woman is wronged and mistreated for
having a voice, for having the misconception that she is human. She is a victim
and she cannot even prove it, because it is her destiny.
TO NOT EVEN WRITE POETRY
Do nothing,
Just make babies,
And raise them,
Make lunch boxes,
Send them to school,
The noblest job on earth.
Taken away,
From some,
Very cleverly,
May we file a report?
But of what kind?
How do we gather evidence?
Against that very clever crime?
Being committed in bits and pieces,
So small,
We can’t pick the particles?
We just know,
Its happening,
This minute.
And finally her mistreatment in
the name of law and justice. The protagonist is faced with lurid interrogations
with no respect for her rights or privacy as she is tried for her crime of
being an illegal immigrant. Questions arise and she is left speechless with the
bold claims that are made about private moments of her life. She is
the object of spying, of injustice – all in the name of justice. She has tried
to unmask the unjust ways in which justice is implemented.
“To my knowledge,
To the best of my knowledge,
In front of my life,
Right in front of my eyes,
An entire life stolen,
In front of my blank stare,
My wide open eyes.”
But the protagonist does not lose hope
despite countless setbacks. She has the power to appreciate the beauty of the
rain and the sun even in these dark moments. She tells us that she hasn't abandoned hope and she is still fighting. Kind words and solidarity are still
to be found even amongst the darkest prison cells.
While the life-story of Suzannah is
interspersed in the collection, the majority of the poems deal with the life of
a prisoner. The way prisoners are treated, their routine, their lifestyle, their
hopes, their trails and give voice to
not just the narrator’s pain but of all those prison inmates, innocent or
guilty, who have been locked away for good.
Pankhuri Sinha has written a
poignant tale through poetry. Her poetic
form also deserves mention as she has used all tools in her arsenal to make the
poems more beautiful and detailed. Her writing style is varied and while some
poems are written in blank verse, the others can be attributed to concrete
poetry. She has not only used words but geometric patterns to lend force to
those words. Her poems, “Trusting the system” and “The unlived moments” are
best examples of this.
Pankhuri has used imagery to
colour her tales and the reader is transported to the prison as he reads her
vivid accounts.
Her story has found a voice
through these poems. The anthology is a must read for everyone who wishes to
live one more life – this one in a prison. Poetry aficionados will find that putting this anthology down without crying at least once is almost impossible.
ABOUT THE AUTHOR
NAME
Pankhuri
Sinha
DATE
OF BIRTH
18th
June 1975
EDUCATION
·
Incomplete
Phd, History, from University of Calgary, 2012
·
M.A.
History, SUNY Buffalo, 200
·
P.G.
Diploma: Symbiosis Institute of
Journalism and Communication, Pune, India, 1998
·
B.A.,
History Honors, Indraprastha College, Delhi University, 1996
PUBLICATIONS
·
‘Koi-bhi-Din’
and ‘Kissa-e-Kohinoor’, two books, both collections of literary stories
published in 2005 and 2008, by Gyanpith, a reputed name in Hindi literary
publishing.
·
Prison
Talkies, a collection of poems, published by Xlibris, Indiana, July
2013
·
‘Dear
Suzannah’, second collection of poems soon to be published by Xlibris, Indiana
·
Collection
of poems in Hindi, soon to be published
·
Poetries
and Stories published in widely circulated Hindi literary magazines and web
magazines in India, Yuddharat Aam Adami, Hans, Vagarth, Naya Gyanoday,
Kathadesh, Hastakshep, Janjwar, Hindi Chetna, Kathakrama,
Pahal, Saakshatkaar, Vasudha, Bela, Sara Sach, Lamhi, Shabdankan, Sitab Diyara,
Likho Yahan Wahan, Nai Ebarat, Pehli Baar,
Purvai London, Purvai India, Anunaad, Sahitya Darshan, Sahitya Ragini and many
others
AWARDS
·
Chitra
Kumar Shailesh Matiyani Award for the first collection of stories in 2008
·
Script
writing for the documentary film Cobra: God at Mercy, which received the best
UGC film award 1998
·
Girija
Kumar Mathur Smriti Puraskaar, for poetry in 1995
·
Fall
2008 Dean’s Entrance Scholarship, University of Calgary
·
Rajeev
Gandhi Excellence Award for creative writing in Hindi, June 2013
·
And
many other prestigious awards
CONTACT
A--
204, Prakriti Apartments, Sector 6, Plot 26, Dwarka, New Delhi 110075
BUY THE BOOK
Thankyou Akansha for such a beautiful review
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